By Rafia Zakaria, The Nation
Afghan women never asked for US air strikes.
On a March evening in 1999, a wealthy Hollywood socialite named Mavis Leno, the wife of late-night superstar Jay Leno, held a fundraiser to which she invited her rich and/or famous friends. The event was to benefit the Feminist Majority Foundation’s campaign to “End Gender Apartheid in Afghanistan,” which highlighted the barbaric conditions of women living under Taliban rule. (Nowhere, of course, did anyone point out that the Taliban owed its strength at least in part to US foreign policy.) Before long, actresses like Susan Sarandon and Meryl Streep signed on and made the issue a cause célèbre.
Then came September 11, 2001, and the revelation that the organization behind the attack, Al Qaeda, was holed up in Afghanistan. The George W. Bush administration, always looking for justifications for war, found just the thing in the Feminist Majority’s campaign. By November, first lady Laura Bush was arguing that the reason for the war was to “liberate Afghan women.” By November 20, the leaders of the Feminist Majority—including Ellie Smeal, the former head of the National Organization for Women—were attending events at the State Department and meeting with administration officials. The spring 2002 issue of Ms. magazine called the invasion a “coalition of hope,” adding bombs to the feminist toolkit.
The brand of feminism those women collectively championed is what I call “white feminism,” meaning that it refuses to consider the role that whiteness and racial privilege play in universalizing white feminist concerns, agendas, and beliefs as those of all feminism and all feminists. Of course, not all feminists who are white are white feminists. No matter the person’s skin color and gender, advocating for an anti-racist, anti-capitalist feminism is a threat to white feminism.