Ruth Bernard Yeazell
Laughs and Smiles
Frans Hals’s animated paintings allow viewers to feel the presence of an artist whose life is largely unknown.
Evan Kindley
Departments on the Defensive
A new book by John Guillory explores the history of literary studies and casts a despairing eye at the future of literary criticism.
Magda Teter
Reckoning with a Troubled Past
Two European museum exhibitions made good-faith efforts to bear witness to their towns’ early libels against Jews, while not always avoiding the pitfalls of historically loaded discourse.
Thomas Rogers
The Long Shadow of German Colonialism
The people of what was once German-occupied Africa are demanding reparations for the colonial violence that shapes the region to this day.
Sam Needleman
Michaelina’s Boys
In “The Five Senses,” the long-forgotten Flemish painter Michaelina Wautier showcases her vision of vision.
The Island
Free from the Archives
In 2006 longtime New York Review contributor Larry McMurtry and his frequent collaborator Diana Ossana won the Academy Award for Best Adapted Screenplay for their script to the film Brokeback Mountain. Five years later, two days after the 2011 Oscars ceremony, the two got together to discuss, for the Review, the confusions (“It was our first exposure to the Red Carpet, a weird anthropological ritual, at which journalists yell questions at you, most of which you can’t hear”), tedium (“Five and a half hours sitting at a table, listening to every journalist in Los Angeles who had ever written a film review”), and occasional pleasures (“As we were leaving, Murdoch said, ‘Hello, Larry,’ and shook my hand. The power of victory, since I’d never met the man”) of participating in the annual Hollywood awards season
Larry McMurtry and Diana Ossana
Mixed Pickles in Hollywood
Larry McMurtry: My jeans created a sensation, since I couldn’t find my tuxedo pants.
Diana Ossana: You had your tuxedo pants. When I saw you wearing jeans, I said you would look nice in a full tuxedo, and you snapped back that you didn’t want to be uncomfortable sitting in the auditorium for five hours at one stretch.
Categories: Anti-Imperialism/Foreign Policy