| The 1984 British movie Threads opens with ordinary scenes in Sheffield, England, where a young couple learns they are expecting a baby. The story of their personal life is intertwined with the news of a growing conflict between the United States and the Soviet Union, centered on Iran. We next learn that a nuclear weapon is used in an attack, followed by another. Before long, Sheffield itself is the site of hydrogen bomb detonations, with our protagonists either perishing in the explosions or subsisting under devastating conditions of starvation, civil unrest, radiation-induced and infectious diseases, and freezing temperatures over the coming days, weeks, months, and years. The film ends with the 13-year-old daughter of the young couple from the start of the film giving birth to a deformed clump of flesh months after being raped in a lawless and collapsed society.
Forty-two years after this brilliant movie first gave people in the UK and beyond just a glimpse of the unfathomable consequences of nuclear war, watching the opening scenes is even more grim than it has been in the intervening decades, given just how eerily similar they seem to be to our current moment. With the US and Israel continuing to wage war on Iran, and their respective leaders having been repudiated in public polls and elections, the prospect of nuclear weapon use and a wider nuclear war is seemingly more real than ever before. But unlike in the 1980s, when the general public was well aware of what was at stake, having been frightened by Ronald Reagan’s saber-rattling and educated about the dangers of nuclear weapons throughout the Cold War, including through cultural interventions like popular films, today, when President Trump repeatedly threatens to annihilate Iran, the media and the general public seem to shrug and move on to other news of the day, checking perhaps on what Kim Kardashian had for breakfast. |