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Film Review: Citizen Vigilante (2026)

CITIZEN VIGILANTE

(contains spoilers)

A lot of attention has been drawn to a controversial new film called Citizen Vigilante, which was inspired by the brutal gang-rape of a 14-year-old girl in Hamburg and the scandalous release of her immigrant attackers. Due to its perceived lack of political correctness, the film has already been banned in Germany. However, after watching it myself I discovered that the main character in the film, a former U.S. Army officer, is far from being a Robin Hood figure and not only sleeps with prostitutes – thereby ignoring the cycle of misery and abuse that it helps to perpetuate – but murders an innocent driver simply to prove a sociological point. In addition, he is a ruthless landlord who happily evicts his struggling tenants when they fall behind with the rent and sacks his entire office staff for being too old.

In short, this is a typical attempt to complain about mass immigration whilst ignoring the economic system that is responsible for it. Furthermore, when the vigilante rightly confronts the family of one of the rapists he suggests to them that Islam is an “archaic value system” that conflicts with the principles of modern “democracy”. There is nothing revolutionary about that.

Elsewhere, when he calls the Interpol officer who is recovering in hospital he mentions that “the people will not accept this takeover”. Naturally, this is a reference to immigration and whilst it seems perfectly logical to oppose the destruction of Europe by mass demographic replacement, as well as the rape and murder that has taken place as a consequence, there are no references to the role of Big Business. In fact the blame is merely attributed to “Islamic extremists” and “the blindsided woke left”. And once again, the vigilante expresses his concern for Western “democracy”.

I think that tells you who is behind this production, especially as director Uwe Boll has made Zionist propaganda films in the past. Scratch the surface and you soon discover that the people who own the film are Berry Meyerowitz and Jeff Sackman of Quiver Distribution.

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