“Pain, of course, is not the same thing as effort,” writes Glory Liu. But “ballet relies on this economy of pain: The ability to withstand pain, both physical and emotional…it is the spectacle that draws audiences in the first place.”
For our latest issue, Liu—a ballerina and political theorist—reviews two new books by dancers-turned-writers that explore the strength and exploitation involved with practicing ballet, along with the ways in which the art can be rewarding, and beautiful, nonetheless.
Alice Robb’s Don’t Think, Dear and Ellen O’Connell Whittet’s What You Become in Flight explore both the liberating sense of art and the domineering logic of ballet.
In Michael Schulman’s extensive history of the awards, Oscar Wars, he documents how the institution’s reactionary origins still leak into today’s film culture.
Days after Marianne Williamson announced her 2024 presidential bid, The Nation’s John Nichols spoke with the candidate about why she’s making this run.