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Our February 9 issue is online now, with Christine Smallwood on how to read, Gary Shteyngart on Soviet Jews, Jed Perl on Matisse’s extremes, Anahid Nersessian on Dionne Brand at the gates of beauty, Adam Kirsch on The Hours at the opera, Fred Kaplan on Putin’s failures, Linda Greenhouse on Christian nationalists, Coco Fusco on contemporary Cuban art, Ian Frazier on America’s farming follies, poems by Caleb Crain and Marianne Boruch, and much more.
After the Russian Revolution, Jews had to navigate a new identity: aspiring muscular worker and New Soviet Man.
How did the Christian nationalist influence on American democracy escape the notice of so many?
An exhibition of Cuban art from the past decade charts the emergence of a group of artists who have broken the state’s monopoly on public discourse.
More to read at nybooks.com
My mother’s part in the 1970 repeal of New York’s abortion law is a lesson for today’s activists: all politics is local.
Eric Adams’s involuntary hospitalization plan was the culmination of a year spent demonizing those on the lowest rung of New York City’s ladder.