“The counterculture” generally refers to the youth movement of the 1960s-70s: rock and roll, anti-war protests, psychedelics, the New Left, hippies, and the sexual revolution. While puzzling out how these elements cohered—to understand the counterculture functionally and structurally—I had a peculiar realization.
A second movement shared “the” counterculture’s abstract features—its structure and function. Based in Christian Fundamentalism, it might be called “the Moral Majority,” after one of its main organizations. It too offered “a new, alternative, universalist, eternalist, anti-rational system.” This was the same mode of relating to meaningness, even though its content was deliberately opposed to most of what the hippie counterculture stood for.
Both countercultures had broken up by 1990, but the current American culture war is fought from floating fragments of their wreckage. I believe that a better understanding of how the two countercultures related to each other, and how both relate to subsequent modes of meaningness, may help resolve unnecessary contemporary conflicts.