By Max Blumenthal, Grayzone
It is hard to think of an American film that provoked a greater backlash in 2020 than “Planet of the Humans.” Focused on the theme of planetary extinction and fanciful proposals to ward it off, the documentary was released for free on YouTube on April 21. The date was significant not only because it was the eve of the 50th anniversary of Earth Day, but because a global pandemic was tearing through America’s social fabric and exposing the human toll of the country’s globalized, growth-obsessed economic model.“The Michael Moore-produced ‘Planet of the Humans’ faced a coordinated suppression campaign led by professional climate activists backed by the same ‘green’ billionaires, Wall Street investors, industry insiders and family foundations skewered in the film.”
Even before “Planet of the Humans” was released, however, the producers of the film had fallen under pressure to retract it. Upon the film’s release, a who’s who of self-styled climate justice activists proceeded to blanket the internet with accusations that it was a racist, “eco-fascist” screed that deliberately advanced the interests of the oil and gas industry. When “Planet of the Humans” was briefly yanked from YouTube thanks to a questionable copyright claim by an angry climate warrior, the free speech organization Pen America issued a remarkable statement characterizing the demands for retraction as a coordinated censorship campaign.
What had this documentary done to inflame so much opposition from the faces and voices of professional climate justice activism? First, it probed the well-established shortcomings of renewable energy sources like solar and wind power that have been marketed as a green panacea. “Planet of the Humans” portrayed these technologies as anything but green, surveying the environmental damage already caused by solar and wind farms, which require heavy mining and smelting to produce, destroy swaths of pristine land, and sometimes demand natural gas to operate.