By Nicky Reid aka Comrade Hermit
Exile in Happy Valley
It’s often said that there is a fine line between art and pornography, and this is true, but few people take the time to seriously contemplate where that line is. As a fan of both art and pornography, not to mention sociology, I have probably spent too much time on the subject. Most people view the dividing line between these two mediums to be the actions of its subjects, to put it bluntly, people fucking. But some of my favorite art films include graphic scenes of passionate and unsimulated coitus. And some of my favorite genres of pornography involve acts that many wouldn’t even consider to be sexual. No, the line between art and pornography is not defined by its subject matter but rather by its intent. The intent of art is to provoke and engage the audience intellectually. The intent of pornography is to indulge and engage the audience reactively.
Unlike far too many other feminists, I have no problem with pornography in and of itself, particularly if it involves Asian lesbians with small feet and plenty of rope, but there are forms of pornography that have nothing to do with natural human sexuality in all its perverted diversity. Propaganda would probably be my least favorite genre of pornography and this hardcore smut plays on cable news 24/7 when any child could be flipping through the channels. Propaganda is the ultimate form of malignant pornography. It is the complete antithesis of art, designed for the express purpose of keeping people reacting by making sure they have no time to think. The audience is blitzed with an explosive barrage of suggestions, largely parroted from the satanic conglomeration of big government and big business commonly referred to by woke freaks like me as the Establishment. “Fear! Fear! Be afraid! Be afraid! Vote! Buy! Vote! Attack Iran! Squirrels on jet skies! Lupus fun run! Drone strike! MONEY SHOT! Have you attacked Iran yet?” Some pretty sick shit. Ted Turner makes Bob Guccione look like Captain Kangaroo.