From her intricate debut,
Telex from Cuba, to her world-spanning epic,
The Flamethrowers, Rachel Kushner has always moved through space and time with ease. Her novels examine the radicals in Italy, motorcyclists in the Southwest, art scenesters in New York, the dastardly rule of Fulgencio Batista in Cuba, and the excesses of US empire and the United Fruit Company in Latin America. Her fiction has also often moved between genres, narrative techniques, and literary styles. These globe-trotting and genre-breaking tendencies are all on full display in her latest novel:
Creation Lake. Set in contemporary France,
Creation Lake is a parody of French novels and political theory, a meditation on the peril of radical politics, an elegy for small European farmers, a work of climate anxiety, and, above all else, a tale of spies and the kinds of lies they tell. Reviewing it for our Fall Books issue, novelist Nicolas Medina Mora finds that it is “a spy novel raised to the second power. It’s not just that Creation Lake is a fiction about a secret agent; it’s that the secrets this agent carries with her are often themselves fictions—she is as much of a novelist as her creator. The result is…a hall of mirrors….If Plato wanted us to step outside the cave of deceitful rhetoric and into the sunlight of transparent truth”, then Rachel Kushner makes an argument for stepping further into the cavern. Read
“Rachel Kushner’s Brilliant Avant-Garde Spy Thriller”