The day after Trump was inaugurated, I pitched The Nation a story that had been on my mind since I heard our now-president lie about later abortions during election season. I wanted to write about the abortions that Democrats want to ignore, but Republicans like Trump love to malign. The founders of Partners in Abortion Care, one of the few clinics in the country that offers abortions in all trimesters, agreed to let me spend three days observing what later abortions really look like.
When I flew to Maryland to report the story, I was nine weeks pregnant myself. I felt nervous about it on two levels: Pregnancy had turned me into a sleepy, nauseated housecat; I feared I might vomit or faint and become a patient myself. But I also worried that my wanted pregnancy might make me feel distant from the patients whose experiences I hoped to understand.
But my pregnancy only made me feel closer to the patients I met. Ayana and Scarlet, two mothers who feature prominently in my cover story for the June issue, both chose abortion because they felt it was best for the kids they already had. As the mom of a 5-year-old, I related to the deep love for their children that motivated Ayana and Scarlet, even as my own body reminded me of the profound toll pregnancy demands. At Partners, I found a deep reverence for the seriousness of parenthood among the patients and the staff. I came to understand—as I hope you will when reading the piece—that the “viability” of a pregnancy relies not on how advanced it may be, but on whether the person carrying that pregnancy has decided that it’s viable.
The promoters of scam currency spent more money than any other group in 2024. They’re now realizing a massive return on investment in Donald Trump’s White House.
By transforming quotations into evidence, close reading served as way to transform postwar criticism into a specialized knowledge. But what if we treated it more as an art form?