Culture Wars/Current Controversies

Can the Constitution Save Us?

Books & the Arts
WEB VERSION
July 17, 2024
How did Americans come to treat the Constitution as an almost holy document? It might seem a piece of writing hardwired into our national mythos, but the process that turned it into a sacred text is a relatively recent development, Aziz Rana argues in his new book The Constitutional Bind: How Americans Came to Idolize a Document That Fails Them. Offering a sweeping history of constitutional politics from the late 19th century to the present, Rana examines how the “creed” of constitutionalism has not always been invoked to protect American democracy, but used just as much by those who seek to thwart dissenting groups for participating in it. As Jedediah Britton-Purdy notes in his review of the July issue, the Constitution has often—from the late 19th century to today—been invoked to justify the suppression of free speech at home and military adventurism abroad. It has also often gotten in the way of necessary change, teaching Americans “to interpret the country as if we could be only what we have already been”—when, Britton-Purdy argues, “a democratic politics often invites us to do something new.” Read “Will the Constitution Save Us?”→
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Across her career, the photographer LaToya Ruby Frazier has fundamentally changed the way documentary photography is done. Building on the work of predecessors like Gordon Parks and Dawoud Bey, she has made it her mission to further revise the rules of this genre of photography, which traditionally mandate keeping a measure of distance from one’s subjects. The results, Jillian Steinhauer writes in a new essay on Frazier in the July issue, “are stirring: a full-throated effort to reframe how viewers see the working-class and low-income people whom she counts as kin.” Whether documenting the Flint water crisis or the struggles of workers at an automotive factory in Ohio, her photographs have done more than humanize her subjects. They have, Steinhauer argues, facilitated “an honest conversation around race and class.” Read “LaToya Ruby Frazier Rewrites the Rules of Documentary Photography”→
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