| FEATURES |
| How has Europe become the destination for so much dirty money—and what are European states doing about it? Tena Prelec on why it is so hard to root out grand corruption.
+ What does Germany’s new military expansion mean for Europe? Liana Fix on Berlin’s mission to build the Continent’s most powerful army. |
|
|
| BOOKS |
| From Aaron Reeves x Sam Friedman, on who makes up the British ruling class; Matthew S. Erie, on how beholden Chinese companies are to the Chinese state; & Sam Lebovic, on why Americans are losing interest in the news. |
|
|
| MUSIC |
| From Daphni, James Holden x Waclaw Zimpel, & Michael Gordon x Cello Octet Amsterdam.
+ What is Bang on a Can? |
|
|
| WEATHER REPORT |
| 29.3646° S, 51.6658° W … |
|
|
|
|
|
|
|
|
| If the name despatch sounds idiosyncratic …
It takes its inspiration from the traditional red “despatch boxes” sent to monarchs and ministers in the United Kingdom and across the Commonwealth for the secure transmission of important, sometimes secret, correspondence and documents. After all, the despatch is for people who need to keep up with what’s happening in the world.
—but also need their time cared for. |
|
|
|
|
|
|
| Michael Gordon is a prolific classical composer based in New York City. Here, back in 2021, he collaborated with the European ensemble Cello Octet Amsterdam. In the studio, they played in a circle—an arrangement they seemingly ended up reflecting in the album’s cover art. Best experienced with good headphones. And if you happen ever to have heard of the influential art-music collective Bang on a Can, Gordon is one of its founders.
What is Bang on a Can? |
|
|
|
|
|
|
| For a limited time, we’re offering new subscribers to our monthly-membership plan a 30-day free trial.
With it, you’ll be able to enjoy our member’s despatch—your weekly digital digest, delivered every Saturday, briefing you on key global events, new books, new music, and more—along with every new feature we publish and a whole archive of conversations with our worldwide network of contributors. |
|
|
|