By Glenn Greenwald, Subtack
That the liberal belief in and fear of a Trump-led fascist dictatorship and violent coup is actually a fantasy — a longing, a desire, a craving — has long been obvious.
The Democrats’ own actions proved that they never believed their own melodramatic and self-glorifying rhetoric about Trump as The New Hitler — from their leaders joining with the GOP to increase The Fascist Dictator’s domestic spying powers and military spending to their (correct) belief that the way to oust The Neo-Nazi Tyrant was through a peaceful and lawfully conducted democratic election in which vote totals and, if necessary, duly constituted courts would determine the next president.
The motives for concocting this Wagnerian fantasy about coups, dictatorship, concentration camps and civil war are numerous. Politics is boring, and your life unspectacular, if it’s dedicated to a goal as banal and uninspiring as empowering a septuagenarian career-politician — the centrist-authoritarian author of the 1994 Crime Bill, the credit card industry’s most loyal servant, and key Iraq War advocate — along with his tough-on-crime prosecutor-running-mate who always seems as if she just left a meeting of the Aetna Board of Directors where massive hikes in deductibles were approved.
Glory is available only if one can convincingly herald oneself as a front-line warrior risking it all to courageously battle unprecedented evil and a Nazi-like menace. But working to do nothing more than elect Joe Biden, Kamala Harris and the rest of the painfully ordinary and mediocre corporatist and imperialist Democratic Party politicians through a standard American election? There’s no glory residing in that, no courage needed for it, to put it mildly.
Posturing as a courageous soldier in an existential battle for freedom, democracy and the survival of the marginalized against Nazi despotism is far more exciting and psychologically satisfying (and financially profitable) than being an obedient liberal drone marching in perfect tune to the dreary, McKinsey-scripted musical theater produced by Tom Perez and the DNC. That is therefore the delusional storyline adopted by many.